The work of Edith Brunette combines artistic practice and theoretical research. Both allow her to explore various forms of dominant discourse and the manner in which they represent the world – notably the world of art – and in which such discourse excludes certain elements and simplifies others. She explores the possible boundaries of given statements: more than simply what we are allowed to say, but also what we believe we are allowed to say, the official or imaginary boundaries which erode our individual and collective potential for political action.